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Sanyo PLC-XF1000

ULX® Standard UHF wireless (ULX-S) represents a breakthrough in performance and price for both working musicians and professional sound installers.

  • Automatic Frequency Selection
  • Over 1400 selectable frequencies
  • Predictive Diversity
  • RF presence LED
  • 5-segment audio meter
  • 3-segment transmitter battery fuel gauge
  • Multi-function LCD
  • 1/2 rack design
  • Detachable 1/4 wave antennas
  • Durable plastic chassis
  • Locking DC connector on the Power Supply
  • XLR and 1/4" outputs
  • Mic/line switchable XLR Output
  • In line DC Power on Antenna Connections
RF Carrier Frequency Range 470.000 to 865.000 MHz (Available frequencies depend on the applicable regulations in the country where the system is used). Refer to the frequency supplement supplied with the system.
Effective Range 100 m (300 ft.) under optimal conditions
Audio Frequency Response 25 to 15,000 Hz, ±2 dB
Transmitter Audio Polarity Positive pressure on microphone diaphragm (or positive voltage applied to tip of WA302 phone plug) produces positive voltage on pin 2 (with respect to pin 3 of low impedance output) and the tip of the high impedance 1/4-inch output
Transmitter Gain Adjustment Range ULX1: 25 dB
ULX2: 25 dB
Receiver Audio Output Level
(±38 kHz deviation, 1 kHz tone)
XLR connector (into 600 ohm load): 3.9 dBV (line), -17 dBV (mic) 1/4 inch connector (into 3000 ohm load): -2 dBV
Impedance ULX1 (input): 1 Megohm ULXS4, ULXP4 (output): 50 ohms at line level; 2000 ohms at mic level
Modulation ±38 kHz deviation compressor-expander system with pre- and de-emphasis.
RF Power Output ULX1, ULX2: 30 mW maximum
Dynamic Range >100 dB, A-weighted
RF Sensitivity 1.26 µV for 12 dB SINAD (typical)
Image Rejection 80 dB typical
Spurious Rejection 75 dB typical
Ultimate Quieting
(reference ±38 kHz deviation)
>105 dB, A-weighted
System Distortion
(reference ±38 kHz deviation, 1 kHz modulation)
0.3% total harmonic distortion, typical
Power Requirements ULX1, ULX2: 9V alkaline battery; 8.4 V NiMH 500 mA optional
ULXS4, ULXP4: 14 - 18 Vdc (negative ground), 550 mA
Battery Life 8 to 9 hours (with 9V alkaline battery)
Operating Temperature Range - 20° to 49° C (- 4° to 120° F)

Wireless Countryman E6i with Shure Transmitters

Delivering value, comfort, and sound quality, our E6i Omnidirectional Earset microphone is the best-loved mic of its kind.

We've mounted our tiniest mic capsule on an even tinier boom that is rugged, flexible, and incredibly lightweight. Silicon padding at the earpiece helps keep the boom comfortably in place, even with glasses or other head-worn accessories. We offer the widest range of boom colors to match virtually any skin tone. The more-flexible boom on the E6i is very easy to adjust and perfect when one mic is shared among several people.

Practically invisible to live or broadcast audiences, the E6i is incredibly comfortable for the wearer. It captures the closest source clearly with excellent rejection of wind, ambient noise, and feedback. And its industry-unique snap-on cable extends the equipment life many times over. In addition, the snap-on cable makes your E6i compatible with virtually any wireless mic system - just buy a new cable instead of a new mic!

The changeable protective caps provide moisture resistance and let you shape the frequency response for different situations or to match other microphones.

It's no surprise that Countryman's E6i Omni Earset is a top choice for presenters, educators, worship leaders and pastors, broadcasters, and many, many more!

The E6i Omni microphone is supplied with a snap-on cable with specified connector, windscreen, set of three protective caps, set of two collar clips (black and white), and carrying case.

User-friendly for new and experienced users alike

  • Excellent for singing and spoken word applications
  • Extremely popular in houses of worship, theater and outdoor settings
  • Directional version is ideal for situations with loud monitors, extreme feedback or environmental noise
  • Smallest, lightest, most comfortable mic of its kind - only 1/10th ounce!
  • Almost invisible against any skin tone
  • Rugged, bendable boom assures a custom fit for every wearer
  • Hands-free, wireless-enabled mic allows total freedom of movement
  • Rugged and reliable - virtually unbreakable steel boom
  • Highly bendable boom straightens to perfection, supporting multiple wearers
  • Exclusive snap-on cables in 1mm or 2mm diameter for field replacement or compatibility with various wireless systems
  • Highly resistant to sweat and water
  • High quality voice pickup - more consistent than any lavalier
  • Excellent rejection of surrounding noise
  • Sounds like a world-class performance mic
  • Reduces feedback in meeting rooms or houses of worship an average of 12dB compared to an omni lavalier
  • Omnidirectional mic is virtually immune to wind and breath pops, even without a windscreen

Audix MicroBoom – 50″ Boom Microphone

Audix MicroBoom - 50

The MICROBOOM-50 is a simple-to-use modular system that can be used with a choice of capsules in the Audix Micros series, offering a broad choice of pick-up pattern and frequency response. The MicroBoom-50 System is a problem solver for many hard-to-reach miking applications including choir, plays, and orchestra. It is 50 inches long and is made from a strong, lightweight carbon fiber. High quality shielded cable is used internally to insure the cleanest audio signal path between the microphone and the bottom of the boom, which terminates in a mini-XLR male connector.

The stand adapter designed for the MicroBoom allows for total control over the angle, rotation, and position of the carbon fiber rod. A metal thumbscrew locks the rod firmly in place. The angle and position of the microphone is controlled using the flexible metal gooseneck below the microphone. The MicroBoom-50 provides an ultra-clean, professional, and elegant appearance on stage while providing exceptional performance and portability.

  • Lightweight, rigid
  • Portable, easy to position
  • Clean, elegant appearance
  • Choice of capsules
  • Exceptional sound quality
  • No external power adapter needed
  • Attaches to any mic stand
  • Can be used horizontally or vertically
  • Choir
  • Ensemble vocal
  • Theatre
  • Orchestral zone miking
  • Location recording
  • Presentation
  • Conference room

Shure MX412SE

Shure MX412SE

Shure Microflex® MX400SE Series microphones are miniature gooseneck-mounted electret condenser microphones designed for speech and vocal pickup. Their high sensitivity and broad frequency range make them suitable for recording, as well as sound reinforcement applications.

MX400SE microphones can be screwed onto a mic stand or the supplied 5/8 inch 27-threaded flange. They can be easily changed from side-exit to bottom-exit to conceal the cable. All models include an in-line preamplifier and a 3 m (10 ft) cable. Each microphone is available with interchangeable cardioid, supercardioid, or omnidirectional cartridges.

  • Wide dynamic range and frequency response for accurate sound reproduction across the audio spectrum
  • Interchangeable cartridges provide the right polar pattern for every application
  • Balanced, transformerless output for increased immunity to electromagnetic hum and RF interference over long cable runs
  • Shock mount provides over 20 dB isolation from surface vibration noise
  • Locking flange mount for permanently securing microphone to lecterns, pulpits, or conference tables
  • Snap-fit foam windscreen
  • Supplied shock mount for more than 20 dB isolation from surface transmitted noise
  • Supplied threaded flange mount for permanently securing the microphone to a lectern, pulpit, or conference table
Frequency Response 50 to 17,000 Hz
Output Impedance (at 1000 Hz) Rated at150 Ω (180 Ω actual)
Open Circuit Sensitivity (at 1 kHz, ref. 1 V/Pascal*)    
*(1 Pascal= 94 dB SPL)
Cardioid: -35.0 dB (17.8 mV)
Supercardioid: -33.5 dB (21.1 mV)
Omnidirectional: -27.5dB (42.2 mV)
Maximum SPL (1 kHz at 1% THD, 1 kO load) Cardioid: 124.2.0 dB
Supercardioid: 122.7 dB
Omnidirectional: 116.7 dB
Equivalent Output Noise (A-weighted) Cardioid: 28.0 dB SPL
Supercardioid: 26.5 dB SPL
Omnidirectional: 20.5 dB SPL
Signal to Noise Ratio (referenced at 94 dB SPL) Cardioid: 66.0 dB
Supercardioid: 67.5 dB
Omnidirectional: 73.5 dB
Dynamic Range at 1 kO Load 96.2 dB
Common Mode Rejection 45.0 dB minimum
Preamplifier Output Clipping Level (1% THD) -6.0 dBV (0.5 V)
Polarity Positive sound pressure on diaphragm produces positive
voltage on pin 2 relative to pin 3 of output connector.
Power Requirements 11 to 52 Vdc phantom, 2.0 mA

SLX® Wireless Microphone System

SLX® Wireless Microphone System

Sound installations and working bands need powerful wireless tools that can be set up quickly and used confidently. Shure's rugged SLX Wireless Systems exceed these demands with innovative setup features such as auto frequency scan with transmitter setup, exceptional wireless clarity, detachable receiver antennas, and legendary Shure microphones.

SLX Wireless Systems feature the Shure patented Audio Reference Companding for clear sound beyond the limits of conventional wireless technology.

  • Transmitter form factors include handheld, lavalier, headword, bodypack, instrument clip-on, and combo
  • Powered with AA batteries/li>
  • 24 MHz tuning bandwidth/li>
  • 12 Compatible systems per band (20 when using multiple bands)/li>

Sennheiser e604

Senhieser e604

The frequency response and cardioid pick-up pattern are optimized for drum sets and other percussion instrument miking, while also producing exceptional results on all forms of brass and woodwind. An integral stand mount screws directly onto mic stands and included clip attaches mic to rim of drum. Very high sound pressure level handling, in excess of 160 dB, is combined with a balanced, clear, low distortion signal similar to a high-end studio condenser microphone. Lightweight voice coil provides extended high frequency and rapid transient response. A tough reinforced glass fiber body takes the knocks and shocks and suppresses impact noise.

  • Rugged reinforced glass-fibre body
  • Low sensitivity to impact and handling noise
  • Very high sound pressure handling capability
  • Low distortion microphone
  • Hum compensating coil
  • Easy to position due to compact design
  • Integral stand mount
  • Dimensions: 33x59mm
  • Connector: XLR-3
  • Frequency response: (microphone) 40 - 18000 Hz
  • Weight Without cable: 60g
  • Sensitivity in free field, no load: (1kHz) 1,8 mV/Pa
  • Nominal impedance: 350Ω
  • Min. terminating impedance: 1000 Ω
  • Weight w/o cable: 60 g

Mackie 1202-VLZ3, Mixer, 12 Channel

Mackie 1202-VLZ3, Mixer, 12 Channel

The Mackie 1202-VLZ3 Premium 12-Channel Compact Mixer builds on the legacy of the best-selling 1202-VLZ Pro, offering the same great feature set, plus greatly enhanced sound quality. Four studio-grade XDR2 (Extended Dynamic Range) second-generation mic preamps, along with Mackie's proprietary active three-band EQ circuitry, give the 1202-VLZ3 its high-headroom, low-noise functionality. The 1202-VLZ3 is the model of efficiency, packing more features into its small footprint than any other mixer in this class. With its outstanding sound quality, just the right amount of control, and multi-voltage power supply, the 1202-VLZ3 is the perfect choice for smaller mixing applications, anywhere in the world.

  • 12-channel ultra-low noise compact mixer with highest possible headroom
  • Ultra-wide 60dB gain range
  • 130dB dynamic range
  • +22dBu line input handling
  • Extended low frequency response
  • Distortion under 0.0007% (20Hz-20kHz)
  • Phantom power
  • 12 high-headroom line inputs
  • Advanced DC pulse transformer RF rejection
  • 2 Aux sends, level, pan and PFL solo on each channel
  • 2 stereo Aux returns plus EFX to Monitor
  • 3-band Active EQ (80Hz, 2.5kHz, 12kHz)
  • 18dB/oct. 75Hz Lo-Cut filter on Mic input channels
  • ALT 3/4 stereo bus for added versatility
  • Control Room/Phones source matrix
  • Rack-mountable design using optional rack ears
  • Sealed rotary controls to resist dust and grime
  • New Multi-Voltage power supply for worldwide use
  • Rugged steel chassis

Mackie 1604-VLZ3

Mackie 1604-VLZ3

The Mackie 1604-VLZ3 Premium 16-Channel/4-Bus Compact Mixer builds on the legacy of the best-selling 1604-VLZ Pro mixer. 16 studio-quality XDR2 second-generation mic preamps, along with redesigned 3-band active EQ circuitry (with sweepable mids), give the 1604-VLZ3 its greatly enhanced sound quality. All channels feature insert points and line-level inputs for extreme versatility. The unique Rotopod option allows for 2 different desktop, and 3 different rackmount configurations. The new multi-voltage power supply allows it to be used anywhere in the world. Ideal for live use, and home and project studios seeking superior performance, the versatile 1604-VLZ3 Compact Mixer is equally at home on the stage or in the studio.

  • New ultra-low noise VLZ3 design with highest possible headroom
  • 16 studio-grade XDR2™ Extended Dynamic Range mic preamps with:
    - Ultra-wide 60dB gain range
    - 130dB dynamic range
    - 22dBu line input handling
    - Extended low frequency response
    - Distortion under 0.0007% (20Hz - 20kHz)
    - Phantom power for studio condenser mics
  • 16 high-headroom line inputs, 16 channel inserts
  • Advanced DC pulse transformer RF rejection
  • 60mm long-wearing logarithmic-taper faders
  • 4 Aux sends, level, pan, -20dB/Solo and Overload/Mute_LEDs on each channel
  • 4 stereo Aux returns, 8 Direct outs, 4 Group/Bus outputs
  • 3-band Active EQ with sweepable midrange
  • 18dB/oct. 75Hz Lo-Cut filter
  • Control Room/Phones multi-input source matrix
  • Balanced 1/4" inputs and outputs (except inserts)
  • Rack-mountable design with three physical configurations via rotating I/O pod
  • Sealed rotary controls to resist dust and grime
  • New Multi-Voltage power supply for worldwide use
  • Rugged steel chassis

QSC K12 Active Loudspeaker

Mackie 1604-VLZ3 copy

The QSC K Series is quite simply The New Standard in lightweight powered loudspeaker systems. Under the direction of Pat Quilter, QSC's team of amplifier engineers have created a new standard in Class D power modules unparalleled in the industry. Next, breaking from the traditional loudspeaker paradigm, every model is fitted with the identical 1.75" HF device (fullrange models) and woofers of the same high quality for unparalleled performance, regardless of speaker size.

Extensive DSP processing is employed throughout, providing levels of sonic clarity and total output that defy the system's size and weight.

Combo XLR and 1/4" TRS inputs accept both Mic and Line Level input while a set of RCA phono inputs (except KSub) allow additional connectivity to portable MP3 players, CD players and line-level mixers. Up to three audio sources can be mixed internally and summed to a balanced output for "daisy-chaining" of multiple units. Separate direct outputs are also provided on each channel for additional output flexibility.

On-board switches provide preset EQ settings. The HF setting (fullrange models) can be set to VOCAL BOOST for additional presence in the critical mid-frequency area or FLAT for accurate reproduction of the incoming signal. The LF switch can be set to NORM, DEEP™ for additional bass extension, or EXT SUB (fullrange models) for use with an external subwoofer. The rear panel LED switch can be set to POWER, illuminating the front-mounted LED when the unit is powered on, OFF for applications where it is not desirable to illuminate the front LED, or LIMIT which indicates to the system operator that the clip limiter circuit has been engaged during operation.

The K Series fullrange models feature a unique Tilt-Direct™ pole cup mounting system. A simple turn of the dial engages a 7.5 degree downward tilt of the speaker allowing acoustic energy to be kept on the audience and off reflective surfaces for applications where maximum coverage from a high-positioned speaker is desired.

  • Lightweight portable powered speakers with legendary QSC amplifier power and reliability
  • 1000 watt continuous Class D power modules in all models
  • Extensive DSP enhances system performance
  • Attractive and professional appearance
  • Rugged ABS enclosures
  • Tour-grade 18 gauge steel grilles
  • Comfortable ergonomic handles
  • 35 mm pole sockets with Tilt-Direct™ (fullrange models)
Configuration Multipurpose 2-way
Transducers
Low-frequency
High-frequency
12" cone transducer
1.75" diaphragm compression driver
Frequency Response (-6 dB) 52 Hz - 18 kHz
Frequency Range (-10 dB) 48 Hz - 20 kHz
Nominal Coverage (-6 dB) 75° conical
Maximum SPL1 128 dB peak

Amplifiers

Power Output2 1000 W continuous Class D
(500 W LF, 500 W HF)
2000 W peak
Input Impedance (ohms) XLR / 1/4": 40k balanced / 20k unbalanced
XLR / 1/4" MIC mode: 2260 balanced
RCA: 10k
Controls Power, Gain A, Gain B, Mic/Line, LF Mode (Ext Sub/Norm/DEEP™), HF Mode (Flat/Vocal Boost), Front LED (On/Off/Limit)
Indicators Power, Signal A, Signal B, Standby, Limit, Mic
Connectors Balanced female XLR / 1/4" line/mic level input, Balanced female XLR / 1/4" line level input, Dual Balanced male XLR full range line level out , Balanced male XLR "mix" out, Stereo RCA line level input, Remote gain control, Locking IEC power connector
Cooling On demand, 50 mm variable speed fan
Amplifier Protection Thermal limiting, output overcurrent, overtemperature muting, GuardRail™
Transducer Protection Thermal limiting, excursion limiting
AC Power Input Universal power supply 100 - 240 VAC, 50 - 60 Hz
AC Power Consumption
(1/8 Power)
100 VAC, 2.3 A
120 VAC, 2.01 A
230 VAC, 1.13 A

Behringer X32

Behringer X32

The BEHRINGER X32 has changed the game by completely rethinking what is possible from a digital mixer – and tens of thousands of new users are enjoying the results. A fluid workflow coupled with a fully interactive user interface ensures immediate familiarity and instills confidence. Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price – changing the game entirely.

  • 40-Input
  • 25-Bus Digital Mixing Console with 32 Programmable MIDAS Preamps
  • 25 Motorized Faders
  • Channel LCD's
  • 32-Channel Audio Interface and iPad/iPhone* Remote Control

Behringer X32 Compact

Behringer X32 Compact

The BEHRINGER X32 has changed the game by completely rethinking what is possible from a digital mixer – and tens of thousands of new users are enjoying the results. A fluid workflow coupled with a fully interactive user interface ensures immediate familiarity and instills confidence. Advanced engineering and meticulous design deliver stellar sonic performance at an extremely affordable price – changing the game entirely.

Three companies shared a common vision – to engineer and build the very best- sounding, technically-advanced audio products for discerning professionals. The X32 Digital Mixer family is the result of the engineering, manufacturing and application expertise of legendary console manufacturer MIDAS, the iconic signal processing genius of KLARK TEKNIK and BEHRINGER’s unique ability to deliver a superior value proposition.

  • Compact 40-Input
  • 25-Bus Digital Mixing Console with 16 Programmable MIDAS Preamps
  • 17 Motorized Faders
  • Channel LCD's
  • 32-Channel Audio Interface and iPad/iPhone* Remote Control
  • QSC KW181 Subwoofers

    QSC subwoofers KW181

    Building on the success of QSC's K Series, the KW181 subwoofer, like the rest of QSC's KW active loudspeakers, represents QSC's next evolutionary step in wood enclosure loudspeakers. The system engineers created the KW series to feature all the groundbreaking electronic attributes of the popular K Series while at the same time designing a product that is both smaller and significantly lighter than previous wood enclosure models.

    • 18” subwoofer
    • Maximum SPL 135 dB peak
    • 1000 watt Class D continuous power
    • Extensive DSP featuring DEEP™ and Intrinsic Correction™ enhances system performance
    • Rugged, texture-painted birch enclosure
    • Tour-grade 16 gauge steel grilles
    • Threaded pole socket
    • Speaker mounting pole included (35 mm diameter, 36 inches (91 cm) long, M20 thread.
    • Comfortable ergonomic handles

    QSC K10 Loudspeaker

    QSC K10 Loudspeaker
    • Rugged ABS enclosures
    • 10” Woofer; 1.75” diaphragm compression driver
    • 90° Nominal coverage angle
    • Functions as a monitor wedge
    • M10 rigging points
    Configuration: Multipurpose 2-way
    Cooling: On demand, 50 mm variable speed fan
    Frequency response: 60 Hz to 18 kHz
    Nominal Coverage: 90° conical
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